๐Ÿ…ต๐Ÿ…ด๐Ÿ…ฐ๐Ÿ†ƒ๐Ÿ†„๐Ÿ†๐Ÿ…ด ๐Ÿ…ฟ๐Ÿ…พ๐Ÿ†‚๐Ÿ†ƒ

โ†ณ

๐Ÿšฉ Rแด‡แด… FสŸแด€ษข AสŸแด‡ส€แด› – Iแด›โ€™๊œฑ Bแด‡แด„แดแดษชษดษข Vษช๊œฑษชส™สŸแด‡ Tแด Eแด แด‡ส€สแดษดแด‡

๐—ง๐—ต๐—ฒ ๐—ฑ๐—ฎ๐˜๐—ฎ ๐—ถ๐˜€ ๐—ฎ๐—น๐—ฟ๐—ฒ๐—ฎ๐—ฑ๐˜† ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ๐—ฟ๐—ฒ, ๐—ฎ๐—ป๐—ฑ audiovisual ๐—ฝ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—ฐ๐—ผ๐—ป๐˜€๐—ถ๐˜€๐˜๐—ฒ๐—ป๐˜๐—น๐˜† ๐—ป๐—ผ๐˜ ๐—ฟ๐—ฒ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ด ๐Ÿญ๐Ÿฌ๐Ÿฌ% ๐—ฐ๐—ผ๐—บ๐—ฝ๐—น๐—ฒ๐˜๐—ถ๐—ผ๐—ป.

๐Ÿ…ฑ๐Ÿ†„๐Ÿ†ƒ, 

with the rise of AI tools like ChatGPT and advanced data indexing, clients donโ€™t have to rely on word of mouth anymore.

They can spot patterns in โ€œsecondsโ€.

Not just reviews. 

But timelines, delays, inconsistencies, and repeated issues across projects.

Telling teams โ€œdonโ€™t post about unfinished jobsโ€ doesnโ€™t solve the problem.

Because todayโ€™s Technology doesnโ€™t rely on one sourceโ€”it connects the dots across many: CommercialIntegratorAVNetworkGmbHMagazine.

The same complaints keep surfacing:

โ–ช๏ธCommunication drops off mid-project. 

โ–ช๏ธSloppy cabling.

โ–ช๏ธNo labeling.

โ–ช๏ธSkip full testing.

โ–ช๏ธBroken UX or panel design.

โ–ช๏ธSystems handed over before theyโ€™re fully ready. 

โ–ช๏ธโ€œWeโ€™ll fix it laterโ€ becomes the plan. 

The Tech can even unmask companiesโ€™ names that consistently fail to complete projects.

And in a world where information is easier to connect than ever and patterns are getting harder to hide.

This is exactly why I take pride in every project I touch.

๐˜ผ๐™ฃ๐™™ ๐™„ ๐™–๐™ข ๐™š๐™ญ๐™ฉ๐™ง๐™š๐™ข๐™š๐™ก๐™ฎ ๐™ฅ๐™ง๐™ค๐™ช๐™™ ๐™ฉ๐™ค ๐™จ๐™–๐™ฎ ๐™ฉ๐™๐™–๐™ฉ ๐˜ผ๐™„ ๐™˜๐™–๐™ฃ ๐™ซ๐™š๐™ง๐™ž๐™›๐™ฎ ๐™›๐™ง๐™ค๐™ข ๐™ฅ๐™ง๐™ค๐™Ÿ๐™š๐™˜๐™ฉ๐™จ ๐™ฉ๐™๐™–๐™ฉ ๐™„ ๐™จ๐™ฉ๐™–๐™ง๐™ฉ ๐™›๐™ง๐™ค๐™ข ๐™ฉ๐™๐™š ๐™—๐™š๐™œ๐™ž๐™ฃ๐™ฃ๐™ž๐™ฃ๐™œ ๐™–๐™ฃ๐™™ ๐™›๐™ž๐™ฃ๐™ž๐™จ๐™ ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™š๐™ฃ๐™™, ๐™ฉ๐™๐™š ๐™˜๐™ค๐™™๐™ž๐™ฃ๐™œ ๐™ž๐™จ 100%.

Because in todayโ€™s world, itโ€™s not just people evaluating your workโ€” GenerativeAI , OpenAIAIProduct – can evaluate your work too.

If you have two buttons on a touch panel, and each can be either on or off, that creates 16 possible combinations to test. 

๐—ง๐—ต๐—ถ๐˜€ ๐—ณ๐—ผ๐—น๐—น๐—ผ๐˜„๐˜€ ๐˜๐—ต๐—ฒ ๐—ณ๐—ผ๐—ฟ๐—บ๐˜‚๐—น๐—ฎ ๐Ÿฎ^๐—ป, ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐—ป ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ ๐—ป๐˜‚๐—บ๐—ฏ๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—ฏ๐˜‚๐˜๐˜๐—ผ๐—ป๐˜€. 

Imagine multi state buttons where there are 100 possible states – 100^n.

Fortunately, with code validation, testing every possible state can be executed much faster than one at a time.

๐—ฆ๐—ผ ๐—ต๐—ฒ๐—ฟ๐—ฒโ€™๐˜€ ๐—ฎ ๐—ด๐—ผ๐—ผ๐—ฑ ๐—ฟ๐˜‚๐—น๐—ฒ: ๐˜„๐—ต๐—ฒ๐—ป ๐˜†๐—ผ๐˜‚ ๐—ด๐—ฒ๐˜ ๐˜๐—ต๐—ฒ ๐˜€๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ ๐—ฐ๐—ผ๐—ฑ๐—ฒ ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ฒ๐—ฎ๐—น๐—ฒ๐—ฟ, ๐—ถ๐˜ ๐˜€๐—ต๐—ผ๐˜‚๐—น๐—ฑ ๐—ถ๐—ป๐—ฐ๐—น๐˜‚๐—ฑ๐—ฒ ๐—ฎ ๐—ณ๐—ถ๐—น๐—ฒ ๐—ฐ๐—ฎ๐—น๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ผ๐—ฑ๐—ฒ ๐˜ƒ๐—ฎ๐—น๐—ถ๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ฟ ๐˜๐—ฒ๐˜€๐˜ ๐˜‚๐˜๐—ถ๐—น๐—ถ๐˜๐˜†.

Thatโ€™s the level of engineering most projects never reach. 

Because โ€œalmost doneโ€ doesnโ€™t hold upโ€” not with clients, and definitely not with ArtificialIntelligence

Also, this is an actual circuit diagram that I designed ( Crestron ๐ŸŒŽ ) from start to finish and polished that with some AITech

Hereโ€™s a quick visual example from a Crestron XPanel I did in 2015.

Thatโ€™s when I started using test utilities for AV code.

It shows how testing buttons on a panel can simulate an incoming video conference callโ€”without a VTC or ATC equipment

Decoupling the code from the actual serial/ IP port, which is what makes the test utility possible.

Innovation isnโ€™t just in the installโ€”itโ€™s in how you verify it works before anyone even touches the system.


๐—–๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐˜€๐—ปโ€™๐˜ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ฒ๐—ฐ๐˜โ€”especially when it comes to real-world AVTech programming and โ€œ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฝ๐—บ๐—ฒ๐—ป๐˜โ€.

If Audiovisual programming code cannot adapt and recover from those glitches, then it will have a negative impact on the user experience.

So, how does code fix communication glitches?

Well, the honest answer is, Iโ€™ve been doing it for 25 years, day one since I stumbled into the AVIndustry.

But I did not invent the technique. The process came from an old coding style based on the A86 assembler language. ( โ„ ๐’ทโ„ฏ๐“๐’พโ„ฏ๐“‹โ„ฏ ๐“‰๐’ฝโ„ฏ๐“Ž ๐“Š๐“ˆโ„ฏ๐’น ๐’พ๐“‰ ๐’ปโ„ด๐“‡ ๐’ซโ„’๐’ž.)

For this example, Iโ€™ll use abstract numbers that arenโ€™t typically used in programming and keep it general.

Imagine a counter were counting from 0 to 10.

The steps: Counter (token) is set to zero.

1๏ธโƒฃ Customer presses the on button for the video conference touch panel.

2๏ธโƒฃ Send a command to the touch panel to start a timer.

3๏ธโƒฃ #Crestron send a command to the NXC display to turn it on.

4๏ธโƒฃ The control system sends a command to the Lutron to dim the lights.

5๏ธโƒฃ The programming checks for display feedback to confirm itโ€™s on.

6๏ธโƒฃ If the system receives feedback from the display, the token moves to the next step. If not, the token is set to 3, and the command is resent.

Notice – there is only โ€œoneโ€ command in the code for the display. The programming is resending that original command you do not have duplicate commands, which would cause problems with decoupling errors.

If this happens three times in a row, a pop-up on the touch panel informs you of a communication error. This approach provides a better user experience because the ๐—ฐ๐—ผ๐—ฑ๐—ฒ ๐—ฐ๐—ฎ๐—ป ๐—ณ๐—ถ๐˜… ๐—ด๐—น๐—ถ๐˜๐—ฐ๐—ต๐—ฒ๐˜€.

Video Example

๐™ฐ ๐šŒ๐š•๐š’๐šŽ๐š—๐š(๐šŽ๐š—๐š ๐šž๐šœ๐šŽ๐š›) ๐š›๐šŽ๐šŒ๐šŽ๐š—๐š๐š•๐šข ๐š›๐šŽ๐šŠ๐šŒ๐š‘๐šŽ๐š ๐š˜๐šž๐š ๐šŠ๐š๐š๐šŽ๐š› ๐šœ๐šŽ๐šŽ๐š’๐š—๐š ๐š–๐šข ๐™ป๐š’๐š—๐š”๐šŽ๐š๐š’๐š— ๐š™๐š˜๐šœ๐š๐šœ ๐šŠ๐š—๐š ๐šŠ๐šœ๐š”๐šŽ๐š:
โ€œ๐™ท๐š˜๐š  ๐šŒ๐šŠ๐š— ๐™ธ ๐š‹๐šŽ ๐šœ๐šž๐š›๐šŽ ๐šŠ๐š— ๐šŠ๐šž๐š๐š’๐š˜๐šŸ๐š’๐šœ๐šž๐šŠ๐š• ๐š๐šŽ๐šŠ๐š•๐šŽ๐š› ๐š๐š˜๐šŽ๐šœ ๐š๐š‘๐šŽ ๐š™๐š›๐š˜๐š๐š›๐šŠ๐š–๐š–๐š’๐š—๐š ๐š›๐š’๐š๐š‘๐š๏ผŸโ€

๐™ผ๐šข ๐š›๐šŽ๐šŒ๐š˜๐š–๐š–๐šŽ๐š—๐š๐šŠ๐š๐š’๐š˜๐š—:
๐™ฐ๐š•๐š ๐šŠ๐šข๐šœ ๐š›๐šŽ๐šš๐šž๐šŽ๐šœ๐š ๐šŠ ๐šŸ๐šŠ๐š•๐š’๐š๐šŠ๐š๐š’๐š˜๐š— ๐šŠ๐š•๐š˜๐š—๐š ๐š ๐š’๐š๐š‘ ๐šŠ ๐šŸ๐š’๐š๐šŽ๐š˜ ๐š›๐šŽ๐šŒ๐š˜๐š›๐š๐š’๐š—๐š ๐šœ๐š‘๐š˜๐š ๐š’๐š—๐š ๐š๐š‘๐š’๐šœ ๐šž๐š๐š’๐š•๐š’๐š๐šข ๐š๐š’๐š•๐šŽ ๐šŠ๐š—๐š ๐šข๐š˜๐šž๐š› ๐š๐š˜๐šž๐šŒ๐š‘ ๐š™๐šŠ๐š—๐šŽ๐š• ๐š๐šŽ๐šœ๐š’๐š๐š— ๐š ๐š˜๐š›๐š”๐š’๐š—๐š ๐š๐š˜๐š๐šŽ๐š๐š‘๐šŽ๐š›๏ผŽ

๐™ด๐šŸ๐šŽ๐š›๐šข ๐š‹๐šž๐š๐š๐š˜๐š— ๐šœ๐š‘๐š˜๐šž๐š•๐š ๐š๐š˜ ๐šœ๐š˜๐š–๐šŽ๐š๐š‘๐š’๐š—๐šโ€”๐šŠ๐šŒ๐š๐š’๐š˜๐š— ๐šŠ๐š—๐š ๐š๐šŽ๐šŽ๐š๐š‹๐šŠ๐šŒ๐š”๏ผŽ
๐™ด๐šš๐šž๐š’๐š™๐š–๐šŽ๐š—๐š ๐š’๐šœ ๐™ฝ๐™พ๐šƒ ๐š›๐šŽ๐šš๐šž๐š’๐š›๐šŽ๐š๏ผŽ
๐šƒ๐š‘๐š’๐šœ ๐š๐š’๐š•๐šŽ ๐š’๐šœ ๐š—๐š˜๐š ๐š๐šŽ๐šœ๐š๐š’๐š—๐š ๐š๐š‘๐šŽ ๐šŽ๐šš๐šž๐š’๐š™๐š–๐šŽ๐š—๐š; ๐š’๐šโ€™๐šœ ๐š๐šŽ๐šœ๐š๐š’๐š—๐š ๐š๐š‘๐šŽ ๐šŒ๐š˜๐š๐šŽ๏ผŽ

๐™ฝ๐š˜ ๐š™๐š›๐š˜๐š˜๐š – ๐šœ๐šŒ๐š›๐šŽ๐šŽ๐š— ๐š›๐šŽ๐šŒ๐š˜๐š›๐š๐š’๐š—๐š ๐™ฐ๐™ฝ๐™ณ ๐š๐šŽ๐šœ๐š ๐š๐š’๐š•๐šŽ, ๐š ๐šŠ๐š•๐š” ๐šŠ๐š ๐šŠ๐šข๏ผŽ